Chord Symbols
A chord symbol is an expectation of tonality. It is not a descriptor of what voicing should be
played. In fact, it is a better descriptor as what notes not to play.
For instance the chord symbol C
The player has the freedom to voice the chord however they see fit. Sometimes chords can even be
substituted with entirely different chords, as long as the tonality and/or function is
fulfilled.
If an arrangement needs to express specific voicings, sheet music, tablature, or chord diagrams should
be used.
Do not write chords like D7sus4(add9, no5). That's nonsense. D7(sus), D9(sus), or even C/D are much
better options. If a voicing needs to be specific, use a chord diagram such as: x5555x else let the
player voice the chord however they wish.
Anatomy of a chord symbol
Root Tonality (Tension) /Bass noteR T (T) /B
A 7 (
A7(
Major: 6, 6/9,
Dominant: 7, 9, 13, etc
Minor: -, -7, -9, -11, -13, etc
Tonic Minor: -6, -6/9,
Half Diminished:
Diminished:
Enharmonic and octave equivalents:
2 : 9
4 : 11
6 : 13
If chords of the same family and/or function are interchangeable, why are there so many different
symbols?
Because people over analyze voicings in their chord symbols!
Here are a few reasons why a transcriber or arranger might use a certain chord symbol:
• They transcribed so and so musician who played x/y chord voicing in a recording. (This is not a good use of complex
chord symbols! Simplify the harmony.)
• The arrangement calls for a specific voicing to be played. (Not great, again use sheet music,
tabs,
or diagrams)
• To make the player aware of a melody note, so the player can be careful not to play a voicing
that would clash. (This is a good use of chord symbols!)